We wanted to create a storyworld that would challenge screenwriters and filmmakers to dig deep into a human narrative that transcends politics, religion and petty
We want to explore the idea, ‘As we look into the face of death with certainty, who would we choose to be in those last few hours?'
We also want to tie the stories together with a single global incident. ‘The Impact’ is not country specific and we encourage diversity.
Phase one of the screenwriting and filmmaking phase produced some amazing work. We felt we needed some tougher stories too, to create more dynamic and confronting moments of humanity, good, bad and downright beautiful or ugly.
The Impact has a VERY strict time construct, to which you must adhere. Here are the story beats BEFORE our story begins...
Picture from the dashcam of a driver in Russia who saw the Chelyabinsk meteor